Creative services · LinkedIn ad video
Give us the brief. We render your LinkedIn ad in every ratio you need, to LinkedIn's own specs, with a human approving the copy before finals. Start with a conversation.
A single LinkedIn ad rarely needs one video. The feed wants a portrait cut, the square works harder in some placements, stories wants the vertical, and someone always asks for the landscape. That is four exports, each with its own safe zones to respect, and every one of them is a place for the brand to drift.
The traditional route is a production cycle: brief, storyboard, edit, revisions, re-export per ratio. It works, and it is measured in weeks. The newer route is a general-purpose AI video generator, which is fast and will happily compose a layout you never approved, in type you do not use, with copy that spills into the space LinkedIn covers with its own interface.
Neither problem is really about speed. It is that the output is not reproducible. Ask for the same thing twice and you get two different things, so nothing you learn about the creative carries forward.
The compositions are authored by people, and your brand kit is configured as part of onboarding. There is nothing for you to upload. This is set-up work we do once, with you, before the first ad.
What the ad is for, what it should say, which ratios you want. That is the whole input. No storyboard, no asset pack, no shot list.
The brief is turned into a draft on one of your approved compositions. A person at MxD reviews it, and you can ask for changes in ordinary language. Nothing goes to finals unattended.
Each ratio renders independently at 1080x1350, 1080x1080, 1080x1920 and 1920x1080, in H.264 at 30fps, with a poster frame. You download the files and run them wherever you run your LinkedIn ads.
Finished LinkedIn ad video, in every ratio, built so it cannot go off-brand.
You get downloadable MP4 files, one per aspect ratio you asked for, each rendered to LinkedIn's ad specifications with its safe zones respected and its poster frame derived from the first frame.
The model does not write layout. It fills typed slots on compositions a person authored, with hard character caps, and anything that fails validation is rejected before it renders. Going off-brand is not a rule it has been asked to follow, it is a thing it cannot do.
1080x1350, 1080x1080, 1080x1920 and 1920x1080, rendered independently rather than cropped from one master, with LinkedIn's safe zones applied per ratio so copy stays clear of the interface. Duration sits inside LinkedIn's 6 to 15 second window.
Animation is a paused timeline seeked frame by frame, with no clocks and no random draws, so the same brief and the same inputs reproduce the same frames. Change one line of copy and that is the only thing that changes.
We set the engine up for your brand and run it for you, so this describes what your engagement includes. Every line below is something the engine does today, not something planned.
Most AI video tools sample a new result every time you ask, which is exactly why they are hard to run a brand on. Ours does the opposite. The compositions are written as code, animation runs on a frame clock rather than a wall clock, and remote assets and random values are forbidden inside them. The consequence is boring and valuable: the same brief and the same inputs give you the same frames back.
The second difference is where the intelligence sits. The model chooses a composition and supplies parameters. It has no shell, no file access and no ability to write layout, and its output is checked against a strict schema before anything renders. Brand consistency is structural rather than a line in a prompt, which is why we can promise it.
And we will say what it does not do. It is built to LinkedIn's ad specs, so that is what we claim it for. It does not connect to your LinkedIn ad account, and it does not publish or schedule anything, you take the files and run them. It does not make avatar or talking-head video. It does not compose free-form layouts on request, and that constraint is the point rather than a gap we are hiding.
The contrast is not speed for its own sake. It is whether the creative that comes back is to LinkedIn's spec, inside your brand, and the same the second time you ask.
| MxD ad video engine | Creatify | Synthesia | |
|---|---|---|---|
| What you supply | A written brief | A prompt, product URL or template | A script, document or URL |
| Built to LinkedIn ad specifications | Yes, ratios, safe zones and duration | Not published, names TikTok, Meta, YouTube and Snapchat | Not published |
| Multiple aspect ratios from one input | Yes, four, each rendered independently | Yes, 9:16, 16:9 and 1:1 rendered simultaneously | Not published |
| Safe zones applied per ratio | Yes, automatically | Not published | Not published |
| The same brief reproduces the same frames | Yes, deterministic within a pinned render image | Not published | Not published |
| Layout fixed by typed slots the model cannot rewrite | Yes, validated before anything renders | No, template library plus generation | No, brand kit plus free-form editing |
| A person approves before finals | Yes, always | Not published | Not published |
| Avatar or talking-head video | No, not offered | Yes, AI actors | Yes, AI avatars |
Swipe the table to see every column.
Competitor details taken from vendor product, pricing and feature pages checked on 22 July 2026. "Not published" means the vendor does not state the capability publicly, not that it is absent: several aspect-ratio feature pages were unreachable. Reverify before quoting.
Yes, once we have onboarded you. Your brand kit is configured into the engine as set-up work at the start of the engagement, and the compositions are authored around it. It is worth being clear that this happens at onboarding rather than automatically, which is also why we would want that conversation before promising you a turnaround.
A written brief. There is nothing to upload: no logo file, no footage, no screenshots, no font files and no colour codes, because your brand is already configured in from onboarding. Tell us what the ad is for, what it should say, and which ratios you want.
No. There is no LinkedIn account connection and no publishing or scheduling. You get the MP4 files and the poster frames, and you upload them into your ad account, or we do it as part of a wider paid social engagement.
Not in the way that phrase usually means. The model picks one of your approved compositions and fills its text slots within fixed character limits. It never writes layout, animation or code. That is a deliberate constraint: it is what makes the output predictable and keeps it inside your brand.
The engine is built to LinkedIn's ad specs, including its aspect ratios, safe zones and the 6 to 15 second duration window, so LinkedIn is what we claim it for. If you need creative for other placements or longer formats, that is a Creative Services conversation and we will scope it as one.
